Wednesday 22 February 2017

Weekly Witch Hunt: Darkness in the Valley & The Walking Dead 'New Best Friends'

We decide what artistic endeavour passed approval to earn the Scorcher label from the past seven days & what also had the dishonour of being that week's Torture...

Both of the entries on trial this week have a horror element to them.  While one is an old favourite that is regrettably starting to sour; the other is a recently discovered realm of fantasy that has been giving me much pleasure.  I live in hope that our entrant in the Torture category can be redeemed but I have some reservations.


The Scorcher

I recently included The Uncanny Valley: Tales from a Lost Town in my Scorchers of 2016 as it was one of the books I thoroughly enjoyed last year.  Well I can safely say that the follow up Darkness in the Valley is just as entertaining.  It follows the same format where the story unfolds from the diary entries of different residents of the valley.  Where it does differ is that this covers one event; whereas Uncanny Valley was made up of anecdotes of different goings on in this strange town.
The circumstances all take place over a few months in 1909 as a mining corporation want to take over the town to get to the rich minerals they believe are present in the area.  Dark forces are at work and the residents slowly come to realise they must take action or risk losing everything they care for; including potentially their lives.
Some of the characters return from Uncanny Valley while others are newly introduced.  While there are a lot of people to keep track of as the narration flips from one to another; you still get a decent amount of character development in the majority of cases.  So when things take a turn for the worse for some you still care what is happening to them.
This material and setting would be ripe for a television or film adaptation.  I could see someone like David Lynch taking this to some dark places or alternatively Tim Burton revelling in the fantasy and horror components of it all.
Gregory Miller does an excellent job once again of blending the fantastical element with reality.  Things do get seriously creepy at times and you do get a good sense of dread and suspense as the tale unfolds.  He has set this out as a three part act and while the middle section does feel a little too overlong; the final act pays off handsomely as it rushes to the inevitable conclusion.
I will look forward hopefully to a third visit to this strange and wonderful location.


The Torture

Speaking of entries in my 2016 Scorcher or Torture list; here is one who made it into the latter category.  I have been a big fan of The Walking Dead since the very first season aired but just lately have found my devotion waning greatly.
It isn't because they have deviated so far from the comics that it all feels alien, if anything they do follow the comics rather faithfully in general.  I think part of the problem is the character development as the main cast seem to have stagnated or are just becoming too repetitive by nature.  However those are different issues to why episode 10 of season 7: New Best Friends has been sent to the torture chamber this week.
One thing that TWD has done is try to ground itself in a realistic setting; as much as you can when the world has been overcome by a zombie apocalypse.  By sticking with the same storylines as the comics though this is where the show is starting to fail.  Some of the elements that work well in comic format are not transferring over as well to the television screen.
Don't get me wrong I love Ezekiel in both formats but The Kingdom seems too caught up in the realm of fantasy for the realism they are striving for.  The Saviors likewise also come across as too one note; surely there has to be some members amongst them with a shred of compassion or human decency.  Instead they are all painted as comic book villains so that when we do finally get to see them get their comeuppance we won't feel sorrow for any of them.
Those are just two of my objections.  My main complaint was with the Dumpster Dwellers as I shall nickname them until we get an official moniker.  What the hell is going on with this group?  So let me get this straight; the apocalypse happened a little over two years ago in TWD's timeline.  During those couple of years the speech patterns of the Dwellers has regressed to some form of broken English?  I can understand the group using coded terms and sign language amongst themselves but when Jadis the leader is conversing with Rick she still keeps up the same cadence and patter.  I questioned whether she was completely sane.
Every one of the Dumpster mob must have looted the same group of shops that only cater to Goth's because every single one of them was wearing black or grey or some other sombre tone.  Colour does not appear to be an option if you want to join this gang.  The only place you are allowed some colouring though is in your hair; especially if you are the leader of this motley crew.  Jadis hasn't got time to hunt for supplies; she is too busy getting her ends done at the local salon!
At first I was thinking the Dumpster Dwellers have been based on some Mad Max style apocalyptic band of warriors; they definitely gave off that sort of vibe.  Or my second thought was that maybe they are a type of death cult.  However I re-evaluated that opinion once Jadis threw Rick into the fighting pit against what I can only describe as a Resident Evil style of monster; the comically named Winslow.
Firstly this group do not look like they could be bothered to capture a zombie, let alone then festoon said zombie's body with all manner of spiky implements.  And secondly he doesn't resemble a zombie; he looks more demonic and less like a former human.  Winslow's makeup is good for a horror creature but he fails as a decomposing body that has been abused by his captors.  His ribs don't look like they belonged to a person, he has claws and sharper than normal teeth; overall he appears otherworldly and that is a problem for the universe they have built here.
Resident Evil must have been an inspiration for this whole segment.  Not only would Winslow feel at home in that environment but Jadis herself looks like she could fill in for Milla Jovovich as Alice.
To top off the surreal experience of seeing this Mad Max/Resident Evil hybrid; we then see yet more bizarre attitude from Rosita who has fast moved to the top of my list of characters I would like to get eaten or beaten next.  I want someone to slap some sense into her so badly and scream at her to stop acting like a spoilt teenager.  Barring that then let Negan swing away.
The one saving grace for the episode was Father Gabriel.  I mentioned the characters seem to have come to a standstill in their overall development; well the opposite is true of Gabriel.  He out of everyone has gone on a massive arc of redemption since his introduction.  I only wish that the writers would take as much care with the remainder of the group, then my investment in the show might be restored.

Thursday 16 February 2017

Poster Pride & Prejudice: case study OASIS

Where we look at one Scorching piece of artwork that generates excitement for what it is advertising.
Then on the flipside we also have a Torturous piece that makes you wonder how it ever got approval to promote the product...

With seven studio albums to their name Oasis have enough covers to choose from.  They certainly had swagger and attitude in abundance.  Does the charisma that oozes out of the Gallagher brothers come to the fore on their record sleeves?  Let us have a look.

The Scorcher

The debut Definitely Maybe propelled them to stardom and for me; it remains their most iconic cover that has the most impact.  I love the symmetry of this picture and the relaxed nature of all the band members.  It gives off an aura of casualness; like this would be a regular Sunday afternoon for these boys.
The picture is littered with little references to heroes and influences of the band members.  They are a nice little touch and none seem out of place in this modern looking lounge room.  The house actually belonged to Paul Arthurs.
The cover also reflects the mood of the music on the album; one of nonchalant coolness as if nothing fazes these guys.  Little wonder that the image reflects the cockiness of the individuals; particularly the Gallagher brothers.

The Torture
 
What on earth is this mess actually meant to be?  Is it a representation of the conflict taking place in each person's soul?  Whatever the message is; it is one hell of a horrible collage.  It looks like the sort of thing someone on drugs would think is an awesome idea.  Hmmm, might be onto something there...

Wednesday 8 February 2017

Weekly Witch Hunt: Vikings Season 4 & 100 Streets

We decide what artistic endeavour passed approval to earn the Scorcher label from the past seven days & what also had the dishonour of being that week's Torture...

Welcome to the start of 2017's Witch Hunts.  This last week I took great pleasure in raiding along the English coastline; but then ruined it by visiting a small pocket of London.  Read on to find out more.

The Scorcher

The second half of season 4 of Vikings recently concluded so I went on a typical binge watch so I would be able to pass judgement on this bunch of heathens.  It might not be the most historically accurate of shows but my word is it entertaining.
When I first decided to start watching Vikings I was hesitant because I was unsure how they would keep such a story interesting.  The characters are based on Viking legends; made up of ones that we know existed and ones where we are not so convinced about their overall legitimacy.  So the basis is there for a good story.
However these legendary warriors all existed at different times throughout Viking lore so how do they accomplish a historical telling of these tales and still manage to educate about their historical significance?  Well the History Channel has taken the novel approach of condensing the actions of these Norse heroes into a much smaller timescale so that they can all interact with one another.  You still get a sense of the impact each had in their culture and the wider world at large.
It works surprisingly well.  The historical events are depicted with the filmmakers taking similar liberties with accuracy that you see in many "based on a true story" movies that are released.
Where the show does excel in keeping up interest levels; is in the ability to not follow normal conventions.  You can be watching a scene and think you know exactly what is going to take place and the complete opposite can happen.  This is totally refreshing and in many cases mimics the actual events from the Norse saga of the time.  Season 4, more than all that have come before it, certainly takes these curveballs to the next level of surprise.
I will be very keen to see how season 5 develops from here and whether it can maintain the momentum.

The Torture

Have you ever felt like slashing your wrists after watching a particularly depressing film?  If you answered no then this one might put you in that frame of mind.  Okay so it isn't all doom and gloom but it's a pretty bloody dismal movie.  100 Streets focusses on three different stories with no connective tissue joining them up; or what little there is, is very tenuous at best.  The title refers to the characters of the storylines all living within one hundred streets of each other so there you go.
This feels like three stories that weren't fully developed being cobbled together to form one film.  The only one with any substance that I really wanted to see more of involved George the taxi driver as his had the makings of something intriguing.  His tale however was the one we saw the least of.
Idris Elba and Gemma Arterton are recognisable names so it is only fitting that they get the most screen time.  Their story is one of the most relatable too as it involves a marriage breakup.  It doesn't really go anywhere though and by the end you don't really know if either of them is any better off than when we were first introduced to them.
Franz Drameh's Kingsley is one of the most commonly used redemption stories; where a young black man is on the wrong side of the tracks and realises the error of his ways.  You can tell instantly when Ken Stott's Terrence starts interacting with Kingsley that it won't be all sunshine and rainbows.  It holds no surprises in the least to see how this one ends up.
I was ready to torch the whole lot of them when it ended on a typical Hollywood style high note after watching an hour and a half of complete drabness beforehand.  This is not a film to watch for the suicidal!