Showing posts with label Mad Max: Fury Road. Show all posts
Showing posts with label Mad Max: Fury Road. Show all posts

Wednesday, 22 February 2017

Weekly Witch Hunt: Darkness in the Valley & The Walking Dead 'New Best Friends'

We decide what artistic endeavour passed approval to earn the Scorcher label from the past seven days & what also had the dishonour of being that week's Torture...

Both of the entries on trial this week have a horror element to them.  While one is an old favourite that is regrettably starting to sour; the other is a recently discovered realm of fantasy that has been giving me much pleasure.  I live in hope that our entrant in the Torture category can be redeemed but I have some reservations.


The Scorcher

I recently included The Uncanny Valley: Tales from a Lost Town in my Scorchers of 2016 as it was one of the books I thoroughly enjoyed last year.  Well I can safely say that the follow up Darkness in the Valley is just as entertaining.  It follows the same format where the story unfolds from the diary entries of different residents of the valley.  Where it does differ is that this covers one event; whereas Uncanny Valley was made up of anecdotes of different goings on in this strange town.
The circumstances all take place over a few months in 1909 as a mining corporation want to take over the town to get to the rich minerals they believe are present in the area.  Dark forces are at work and the residents slowly come to realise they must take action or risk losing everything they care for; including potentially their lives.
Some of the characters return from Uncanny Valley while others are newly introduced.  While there are a lot of people to keep track of as the narration flips from one to another; you still get a decent amount of character development in the majority of cases.  So when things take a turn for the worse for some you still care what is happening to them.
This material and setting would be ripe for a television or film adaptation.  I could see someone like David Lynch taking this to some dark places or alternatively Tim Burton revelling in the fantasy and horror components of it all.
Gregory Miller does an excellent job once again of blending the fantastical element with reality.  Things do get seriously creepy at times and you do get a good sense of dread and suspense as the tale unfolds.  He has set this out as a three part act and while the middle section does feel a little too overlong; the final act pays off handsomely as it rushes to the inevitable conclusion.
I will look forward hopefully to a third visit to this strange and wonderful location.


The Torture

Speaking of entries in my 2016 Scorcher or Torture list; here is one who made it into the latter category.  I have been a big fan of The Walking Dead since the very first season aired but just lately have found my devotion waning greatly.
It isn't because they have deviated so far from the comics that it all feels alien, if anything they do follow the comics rather faithfully in general.  I think part of the problem is the character development as the main cast seem to have stagnated or are just becoming too repetitive by nature.  However those are different issues to why episode 10 of season 7: New Best Friends has been sent to the torture chamber this week.
One thing that TWD has done is try to ground itself in a realistic setting; as much as you can when the world has been overcome by a zombie apocalypse.  By sticking with the same storylines as the comics though this is where the show is starting to fail.  Some of the elements that work well in comic format are not transferring over as well to the television screen.
Don't get me wrong I love Ezekiel in both formats but The Kingdom seems too caught up in the realm of fantasy for the realism they are striving for.  The Saviors likewise also come across as too one note; surely there has to be some members amongst them with a shred of compassion or human decency.  Instead they are all painted as comic book villains so that when we do finally get to see them get their comeuppance we won't feel sorrow for any of them.
Those are just two of my objections.  My main complaint was with the Dumpster Dwellers as I shall nickname them until we get an official moniker.  What the hell is going on with this group?  So let me get this straight; the apocalypse happened a little over two years ago in TWD's timeline.  During those couple of years the speech patterns of the Dwellers has regressed to some form of broken English?  I can understand the group using coded terms and sign language amongst themselves but when Jadis the leader is conversing with Rick she still keeps up the same cadence and patter.  I questioned whether she was completely sane.
Every one of the Dumpster mob must have looted the same group of shops that only cater to Goth's because every single one of them was wearing black or grey or some other sombre tone.  Colour does not appear to be an option if you want to join this gang.  The only place you are allowed some colouring though is in your hair; especially if you are the leader of this motley crew.  Jadis hasn't got time to hunt for supplies; she is too busy getting her ends done at the local salon!
At first I was thinking the Dumpster Dwellers have been based on some Mad Max style apocalyptic band of warriors; they definitely gave off that sort of vibe.  Or my second thought was that maybe they are a type of death cult.  However I re-evaluated that opinion once Jadis threw Rick into the fighting pit against what I can only describe as a Resident Evil style of monster; the comically named Winslow.
Firstly this group do not look like they could be bothered to capture a zombie, let alone then festoon said zombie's body with all manner of spiky implements.  And secondly he doesn't resemble a zombie; he looks more demonic and less like a former human.  Winslow's makeup is good for a horror creature but he fails as a decomposing body that has been abused by his captors.  His ribs don't look like they belonged to a person, he has claws and sharper than normal teeth; overall he appears otherworldly and that is a problem for the universe they have built here.
Resident Evil must have been an inspiration for this whole segment.  Not only would Winslow feel at home in that environment but Jadis herself looks like she could fill in for Milla Jovovich as Alice.
To top off the surreal experience of seeing this Mad Max/Resident Evil hybrid; we then see yet more bizarre attitude from Rosita who has fast moved to the top of my list of characters I would like to get eaten or beaten next.  I want someone to slap some sense into her so badly and scream at her to stop acting like a spoilt teenager.  Barring that then let Negan swing away.
The one saving grace for the episode was Father Gabriel.  I mentioned the characters seem to have come to a standstill in their overall development; well the opposite is true of Gabriel.  He out of everyone has gone on a massive arc of redemption since his introduction.  I only wish that the writers would take as much care with the remainder of the group, then my investment in the show might be restored.

Thursday, 14 July 2016

Artistic Integrity in the Dock: CHARLIZE THERON

Artistic Integrity is a study of one particular artist's contribution to the world of entertainment.
Are they worthy of the accolades or should they be sent down...

The Accused:
CHARLIZE THERON
Following on from our trial of The Huntsman: Winter's War I felt it only fitting that we put one of the witches on the stand after already looking at another of that films leading ladies in the form of Jessica Chastain.
Theron is quite possibly the most famous South African actor of all time.  I also think she is one of the most beautiful actors on the planet, I am not ashamed to say!  Beauty though can often work as a curse, especially for female actors, as it is easy to become typecast or only offered roles that accentuate a person's good looks.
This I feel is true of some of the roles that Theron has taken during her lengthy career.  Thankfully her acting abilities have also seen her in a wide variety of other, more interesting and appealing roles.  She is not an actress who has been happy to be pigeonholed simply because she looks stunning.
Her first big breakout would have to be as Mary Ann Lomax in The Devil's Advocate.  In this role we get our first glimpse of her Chameleon like abilities to alter her appearance.  She goes from this drop dead gorgeous trophy wife to a complete shambling wreck of a woman and the transformation is quite staggering.  Her performance definitely stands out; which is no small feat starring alongside Al Pacino.
After achieving this early success; Theron was to then star in a string of box office bombs.  There was the underwhelming remake of Mighty Joe Young where she plays the surrogate mother to the titular Joe.  This was followed by the slow paced The Astronaut's Wife which failed on lift off with what was potentially a good premise.  The shining light amongst this string of poor choices is The Cider House Rules which is an enjoyable watch and one that sees Theron given some good material to work with.
Things reverted to form in 2000 though with yet more average fare although there was one that I do enjoy.  Like the rest of that year's output; The Legend of Bagger Vance was not a critical or commercial success.  Theron plays southern belle Adele Invergordon and gives a pleasant performance in this feel-good movie with a decent cast.
The next couple of years would see more forgettable films with nothing that particularly stands out.  The upturn in fortunes probably started with The Italian Job.  Now this remake of the English classic which starred Michael Caine takes a different tone to the originals cheeky chappy Rule Britannia atmosphere.
This is a straight up heist with cool tech and iconic Mini Coopers involved in fast chases and suspenseful thrills.  Surprisingly it still works and makes for a good Sunday afternoon movie.  It is also Theron's first real foray into action territory.
The Italian Job would be followed by Theron's most famous, highly praised and awarded role as Aileen Wuornos in Monster.  Here again we see Theron completely transformed from her gorgeous model looks to a wild eyed unhinged serial killer.  This is based on a true story and it is fair to say that Theron inhabits this role body and soul and certainly deserved all the accolades that were heaped on her for this portrayal.
It wasn't too long before another well received, acclaimed role was on the cards for her as Josey Aimes in North Country.  Again Theron shines in a compelling story about fighting a case of sexual harassment in the work place and the obstacles she faces.
After these two hits we would next see her as Æon Flux in the terrible live action version of the cult animation series that appeared on the MTV channel.  I was a huge fan of the animated show and was looking forward to this, especially with the casting of Theron in the title role.  To say I was disappointed with the outcome would be an understatement!
She was quick to get back on form though with 2007's In the Valley of Elah which is a great crime drama dealing with some really tough subject matter.  Theron easily adapts to what is another different genre for her.  Around this time she had a smaller role as Britt Ekland in The Life and Death of Peter Sellers.   She is perfectly cast as the 60's & 70's bombshell.
Theron tried her hand in the superhero genre when she starred alongside Will Smith in Hancock.  It might have made a fortune at the box office but I was not impressed.  There were no surprises whatsoever throughout the plot.  It is just a by the numbers outing that relies on its star power to bring in an audience which to its credit worked.
John Hillcoat's The Road is a very divisive film; there are those that hate it and those that love it; despite its dark, bleak subject matter.  I fall somewhere in the middle, as it is a hard film to quantify on a simple love/hate scale.  Theron plays the wife of the story who we only see in flashback scenes, but she gives a solid performance and her appearance isn't just a cameo.
Young Adult is one of the highlights of her career.  Her character Mavis Gary is one of the most complex people she has played.  There is plenty to despise about her but she is also someone with serious problems that make you feel real pity too.  Theron again is perfectly cast and is able to show off her comic ability as there are some really funny moments.
I have already said how I felt about her as Ravenna in Snow White and the Huntsman in my previous post where I said she was good in the role.  She is able to show her dark nature but also portray a woman scared of falling apart as age catches up to her.  I won't repeat myself about Huntsman Winter's War and leave it to you to read my musings on that one below...
This brings us to Prometheus.  The question still remains: is Meredith Vickers an android or a human?  That isn't the only unanswered question though from this confusing mess of a film.  It might look pretty but this is another one of her films that I just didn't connect with.
Moving on from a film that explored the beginning of life and God and many other deep topics; we come to one dealing with fart jokes and sexual innuendo with A Million Ways to Die in the West.  You probably couldn't get two more different movies.  Theron again shows that she can handle comedy; it is just a pity that the whole film isn't as funny to match the effort she puts in.
Finally we get to what will probably become her most iconic role as Imperator Furiosa in Mad Max: Fury Road.  I don't want to go into too much detail here as I plan to cover this in a future article.  Needless to say she is superb in this instalment of the Mad Max franchise.
There are some interesting projects on the horizon with Kubo and the Two Strings being the one that appeals the most.  This will be her first foray as a voice actor; discounting the narrator role she had for Astro BoyBrain on Fire also sounds promising which will be another biographical drama.  She will also be joining the Fast & Furious franchise in Fast 8 but I won't be catching that one; it isn't something that appeals to me.  Lastly is The Coldest City which is a graphic novel adaptation, I only hope it is better than Æon Flux.

Verdict:
While she has starred in some good films; Charlize Theron has also had her fair share of duds.  Despite playing a witch on more than one occasion though, her good output is enough to keep her from the gallows for now.

Splitting a portion of this persons back catalogue into what I would "go to" and what I would choose to "avoid"; given the choices I would categorise this entertainers output as thus...
The Scorcher's:

The Torture's: