Showing posts with label John Hillcoat. Show all posts
Showing posts with label John Hillcoat. Show all posts

Thursday, 4 August 2016

Artistic Integrity in the Dock: TOM HARDY

Artistic Integrity is a study of one particular artist's contribution to the world of entertainment.
Are they worthy of the accolades or should they be sent down...

The Accused:
TOM HARDY
I imagine that much like a lot of people I only became aware of Tom Hardy after hearing about his role in the movie Bronson and I was intrigued to see what everyone was raving over.  It took me quite a while to get round to viewing this film but I was not disappointed.  Hardy is well known for immersing himself into his characters and he definitely brings Charles Bronson fully to life.  The intense training alone that he put himself through to get the correct physique is a triumph in itself.  That would have been for nothing if his acting wasn't top notch and he doesn't let all that hard work go to waste as you get a full impression of one of Britain's most violent and dangerous criminals.
Prior to this turning point in Hardy's career he does have quite an extensive list of credits, most notably amongst them roles in Black Hawk Down and Layer Cake.  The one that sticks out though is the television show Band of Brothers; which also saw many other early appearances from future stars such as James McAvoy and Michael Fassbender.  This is such a good miniseries and fully deserves your attention.
Hardy also appeared as Handsome Bob in Guy Ritchie's RocknRolla.  While I love most of Ritchie's output I am not enamoured with this one.  Handsome Bob is another tough guy roll but he is secretly gay, allowing Hardy to show a bit more of his acting ability than just being the man with muscles.
In 2010 Hardy would have his first collaboration with Christopher Nolan as Eames in the excellent, mind bending, sci-fi drama Inception.  If Bronson was a turning point for him in his native England, Inception could well be considered the starting point of a wider audience taking note of this new exciting English talent.
The following year he would once again show off his impressive physique in Warrior.  This is a surprisingly compelling story about two brothers and their strained relationship with one another as well as their family.  Both Hardy and Joel Edgerton are terrific as the duelling brothers and you really get to the emotional core of both characters.
He also appeared in Tinker, Tailor, Soldier, Spy alongside Gary Oldman.  While Hardy is again in good form; this movie belongs solely to Oldman.  The portrayal of espionage intrigue without having to resort to Jason Bourne style fighting is captivating.  The film performed admirably for an old time, style thriller and I would welcome another entry from George Smiley.  Proof, if any was needed, that you don't have to rely on big bangs to gather an audience and that good storytelling can simply be enough.
One blemish on Hardy's CV is This Means War a romantic comedy misstep starring alongside Chris Pine and Reese Witherspoon.  There is nothing and I mean nothing to recommend this movie.  The characters share no chemistry, the jokes are poor and the story is a mess - avoid at all costs!
Nolan came calling again when he cast Hardy as Bane in The Dark Knight Rises.  Following on from Heath Ledger's highly praised portrayal of the Joker; playing Batman's next nemesis was always going to be a tough act to follow.  Having Bane sound like he was talking into the bottom of a coffee cup definitely doesn't help.  Some people don't find this annoying; but I find it distracting from what is a decent performance.  Overall it is entertaining, even though it definitely has a lot of flaws, particularly with the script.
John Hillcoat's Lawless was next on the horizon starring as Forrest Bondurant; the leader of a gang of bootleggers.  This is one of those roles where Hardy alters his voice again to help him get into the character.  His next movie would see him adopt another accent to suit his portrayal of Ivan Locke in Locke.  If you are looking for powerful performances then Hardy provides one here.  Set completely and solely in Ivan's car as he drives from Birmingham to London, this is a one man show where the other players are only heard over the phone.  It might not sound intriguing but trust me this is well worth the watch.
The Drop saw Hardy starring alongside the late, great James Gandolfini in his final role.  This crime caper is a little seen gem.  Both Gandolfini and Hardy; as the quiet, reserved Bob, make this worth seeing as they tackle Chechen mobsters.  Sticking with a Russian theme; Hardy would go on to appear in Child 44, reuniting with Oldman.  This interesting story is sadly letdown by everyone putting on their best Russian accents which distracts you from fully immersing yourself into the story.
When Charlize Theron was in the dock I briefly mentioned her appearance in Mad Max: Fury Road and I will do the same here for Tom Hardy as I will be interrogating that film soon.  What I will say about Hardy is that he did such a good job that not many people were clamouring for Mel Gibson after viewing the end product.
2015 also saw Hardy appear in two roles in the same movie as the infamous Kray brothers in the gangster flick Legend.  I can't imagine the logistics that allowed them to pull this off.  Hardy would have to get into character, not once, but twice for each scene he appears onscreen and many of those he is sharing with himself.  He does remarkably well as both Ronnie and Reggie.  However he is let down by a subpar film that over glamorises the story of the Kray's and their London firm.
The Revenant would see Hardy once again appearing alongside Leonardo DiCaprio as the antagonist John Fitzgerald.  Once more we have a hard to decipher accent amongst Hardy's portrayal of this cold-hearted character.  I did in fact find Fitzgerald to be quite reasonable in his assessment of the groups, and Hugh Glass's situation.  The filmmaker's use a bit of poetic licence to turn him into a killer to help the audience understand the need for revenge that Glass wants to bring upon Fitzgerald.  They must have thought the more factual story of survival against the odds wouldn't have been as compelling viewing; although I tend to disagree.
One final role I must mention is Hardy as Alfie Solomons on the television series Peaky Blinders.  Hardy steals every scene he is in portraying this Jewish gangster; no small feat alongside Cillian Murphy's own powerful depiction of Tommy Shelby.  He also provides some much needed humour without losing any of the underlying menace that his character oozes.
On the horizon will be Hardy's third collaboration with Christopher Nolan in Dunkirk which is due for release in 2017.  I am looking forward to this one as it has been sometime since we had an epic World War II film released.

Verdict:
He might not always be the easiest person to understand onscreen but it is very rare that he performs badly.  Tom Hardy is most definitely allowed to mumble his way out of the dock.


Splitting a portion of this persons back catalogue into what I would "go to" and what I would choose to "avoid"; given the choices I would categorise this entertainers output as thus...
The Scorcher's:

The Torture's:


      Thursday, 14 July 2016

      Artistic Integrity in the Dock: CHARLIZE THERON

      Artistic Integrity is a study of one particular artist's contribution to the world of entertainment.
      Are they worthy of the accolades or should they be sent down...

      The Accused:
      CHARLIZE THERON
      Following on from our trial of The Huntsman: Winter's War I felt it only fitting that we put one of the witches on the stand after already looking at another of that films leading ladies in the form of Jessica Chastain.
      Theron is quite possibly the most famous South African actor of all time.  I also think she is one of the most beautiful actors on the planet, I am not ashamed to say!  Beauty though can often work as a curse, especially for female actors, as it is easy to become typecast or only offered roles that accentuate a person's good looks.
      This I feel is true of some of the roles that Theron has taken during her lengthy career.  Thankfully her acting abilities have also seen her in a wide variety of other, more interesting and appealing roles.  She is not an actress who has been happy to be pigeonholed simply because she looks stunning.
      Her first big breakout would have to be as Mary Ann Lomax in The Devil's Advocate.  In this role we get our first glimpse of her Chameleon like abilities to alter her appearance.  She goes from this drop dead gorgeous trophy wife to a complete shambling wreck of a woman and the transformation is quite staggering.  Her performance definitely stands out; which is no small feat starring alongside Al Pacino.
      After achieving this early success; Theron was to then star in a string of box office bombs.  There was the underwhelming remake of Mighty Joe Young where she plays the surrogate mother to the titular Joe.  This was followed by the slow paced The Astronaut's Wife which failed on lift off with what was potentially a good premise.  The shining light amongst this string of poor choices is The Cider House Rules which is an enjoyable watch and one that sees Theron given some good material to work with.
      Things reverted to form in 2000 though with yet more average fare although there was one that I do enjoy.  Like the rest of that year's output; The Legend of Bagger Vance was not a critical or commercial success.  Theron plays southern belle Adele Invergordon and gives a pleasant performance in this feel-good movie with a decent cast.
      The next couple of years would see more forgettable films with nothing that particularly stands out.  The upturn in fortunes probably started with The Italian Job.  Now this remake of the English classic which starred Michael Caine takes a different tone to the originals cheeky chappy Rule Britannia atmosphere.
      This is a straight up heist with cool tech and iconic Mini Coopers involved in fast chases and suspenseful thrills.  Surprisingly it still works and makes for a good Sunday afternoon movie.  It is also Theron's first real foray into action territory.
      The Italian Job would be followed by Theron's most famous, highly praised and awarded role as Aileen Wuornos in Monster.  Here again we see Theron completely transformed from her gorgeous model looks to a wild eyed unhinged serial killer.  This is based on a true story and it is fair to say that Theron inhabits this role body and soul and certainly deserved all the accolades that were heaped on her for this portrayal.
      It wasn't too long before another well received, acclaimed role was on the cards for her as Josey Aimes in North Country.  Again Theron shines in a compelling story about fighting a case of sexual harassment in the work place and the obstacles she faces.
      After these two hits we would next see her as Æon Flux in the terrible live action version of the cult animation series that appeared on the MTV channel.  I was a huge fan of the animated show and was looking forward to this, especially with the casting of Theron in the title role.  To say I was disappointed with the outcome would be an understatement!
      She was quick to get back on form though with 2007's In the Valley of Elah which is a great crime drama dealing with some really tough subject matter.  Theron easily adapts to what is another different genre for her.  Around this time she had a smaller role as Britt Ekland in The Life and Death of Peter Sellers.   She is perfectly cast as the 60's & 70's bombshell.
      Theron tried her hand in the superhero genre when she starred alongside Will Smith in Hancock.  It might have made a fortune at the box office but I was not impressed.  There were no surprises whatsoever throughout the plot.  It is just a by the numbers outing that relies on its star power to bring in an audience which to its credit worked.
      John Hillcoat's The Road is a very divisive film; there are those that hate it and those that love it; despite its dark, bleak subject matter.  I fall somewhere in the middle, as it is a hard film to quantify on a simple love/hate scale.  Theron plays the wife of the story who we only see in flashback scenes, but she gives a solid performance and her appearance isn't just a cameo.
      Young Adult is one of the highlights of her career.  Her character Mavis Gary is one of the most complex people she has played.  There is plenty to despise about her but she is also someone with serious problems that make you feel real pity too.  Theron again is perfectly cast and is able to show off her comic ability as there are some really funny moments.
      I have already said how I felt about her as Ravenna in Snow White and the Huntsman in my previous post where I said she was good in the role.  She is able to show her dark nature but also portray a woman scared of falling apart as age catches up to her.  I won't repeat myself about Huntsman Winter's War and leave it to you to read my musings on that one below...
      This brings us to Prometheus.  The question still remains: is Meredith Vickers an android or a human?  That isn't the only unanswered question though from this confusing mess of a film.  It might look pretty but this is another one of her films that I just didn't connect with.
      Moving on from a film that explored the beginning of life and God and many other deep topics; we come to one dealing with fart jokes and sexual innuendo with A Million Ways to Die in the West.  You probably couldn't get two more different movies.  Theron again shows that she can handle comedy; it is just a pity that the whole film isn't as funny to match the effort she puts in.
      Finally we get to what will probably become her most iconic role as Imperator Furiosa in Mad Max: Fury Road.  I don't want to go into too much detail here as I plan to cover this in a future article.  Needless to say she is superb in this instalment of the Mad Max franchise.
      There are some interesting projects on the horizon with Kubo and the Two Strings being the one that appeals the most.  This will be her first foray as a voice actor; discounting the narrator role she had for Astro BoyBrain on Fire also sounds promising which will be another biographical drama.  She will also be joining the Fast & Furious franchise in Fast 8 but I won't be catching that one; it isn't something that appeals to me.  Lastly is The Coldest City which is a graphic novel adaptation, I only hope it is better than Æon Flux.

      Verdict:
      While she has starred in some good films; Charlize Theron has also had her fair share of duds.  Despite playing a witch on more than one occasion though, her good output is enough to keep her from the gallows for now.

      Splitting a portion of this persons back catalogue into what I would "go to" and what I would choose to "avoid"; given the choices I would categorise this entertainers output as thus...
      The Scorcher's:

      The Torture's: